XIX century Academic Charcoal Study on Brown Paper: Giambologna’s Mercury.

XIX century Academic Charcoal Study on Brown Paper: Giambologna’s Mercury.

This academic drawing, created on brown paper, depicts the renowned statue of Mercury by Giambologna, one of the most celebrated works of the Italian Renaissance. 

XIX century.

62cm x 48 cm
Charcoal on brown paper.

The original bronze sculpture, completed in 1565, portrays Mercury, the messenger of the gods, in a dynamic and graceful pose, with one foot barely touching the ground. 
He is depicted wearing winged sandals, a helmet, and holding the caduceus, the staff entwined with serpents symbolizing peace and prosperity.

The original statue of Mercury is housed at the Bargello Museum in Florence, with a notable replica on display in the Boboli Gardens. In 19th-century academies, like the Accademia Albertina, plaster casts of classical and Renaissance statues were commonly used as study models for students of drawing and sculpture. 
This drawing showcases the academic focus on detail and the skillful use of chiaroscuro to recreate the three-dimensionality of the figure.

This drawing is part of a collection of 19th-century charcoal studies from the Accademia Albertina in Turin, illustrating the use of black and brown charcoal on paper to represent classical sculptures. This Italian 19th-century drawing of a standing classical plaster sculpture demonstrates expert chiaroscuro modeling, emphasizing the intricate details and textures of the original statues. The use of black and brown charcoal enhances depth and realism, making these works not only academic exercises but also genuine artistic achievements.

Measuring 62 cm x 48 cm, the drawing beautifully captures the lightness of Mercury’s figure and the intricate details of his anatomy, echoing the mythological heritage of Greek and Roman art. Mercury, known as Hermes in Greek mythology, was the swift messenger of the gods, protector of travelers and commerce. 
His figure bridges the worlds of myth and art, embodying the classical ideals of balance and movement.

A curious feature of the artwork is the faint silhouette visible on the back of the paper, suggesting that the artist may have reused the sheet or explored multiple studies at the same time. 
This subtle detail adds an intriguing layer to the piece, linking it not only to the artist’s process but also to the artistic traditions of antiquity and their revival in the Renaissance.

The drawing, with its classic subject matter and mastery of form, offers a glimpse into the artistic and mythological lineage that spans centuries, making it a captivating piece for collectors and lovers of classical art.